Saturday 5 December 2015

Day 717: The Idiot's Lantern

The Idiot's Lantern is, quite simply, a romp. It's a fun run-around in 1950's London with no major consequences for the series ahead. And whilst it generally succeeds in being watchable, it's mostly forgettable, aside from a few brief images and concepts. So what else is there to talk about with respect to this episode?

Well, there's Euros Lyn's direction, for a start. He has made the curious decision to shoot almost all of the episode on a Dutch angle, tilting the camera to one side so that everything looks slanted and slightly unnerving. And whilst this does create a certain amount of atmosphere in the episode, it is unfortunately over-used. This ended up taking me out of the story completely, because I became fixated on the angle that the camera was on, trying to figure out when it would go back to being normal again. So whilst Euros Lyn clearly had the best of intentions with this decision, I can't help but fault him for what he did.

There's also the basic design of the episode, which feels as if it has been based on the Quatermass serials in the 1950's. Now, these are actually some rather fantastic pieces of television, filled with paranoia. But while the design of the story feels as if it wants to be part of that, having men in suits, and dark rooms with mysterious goings-on, it never quite works because the story just doesn't have the tension of the original serials, leaving this to feel like a pale pastiche of a better story.

But, despite the fact that I've been reasonably harsh on this story, I did enjoy it, and it has gone to further cement Tennant in the role of the Doctor, giving him a story where he can be the complete hero. He runs about, drops witty remarks, and saves the day whilst praising ordinary people. It's a fun performance to watch, and clearly part of why Tennant was so loved in the role, even if some of his stories weren't particularly good.

1 comment:

  1. You're very harsh on this. It is making a number of decent points within the framework of a rather fun, and retrospectively classic framework. How do we regard televison? What is it doing to us? The loss of individuality within modern televisual society. The role of 50s paranoia, the politics of domestic violence, the nature of fascism, the fraught relationships of children and wives with domineering yet ultimately insecure men, the damage of war, the "threat" of feminism to the partiarchal status-quo. It's all in there. And from a personal point of view I thought it harked back in feel to the old Doctor Who. Plus, you have to love the idea of the King of Belgium climbing the transmission tower at Ally Pally.

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