But there's also more to it than just that. Consider the scene where the Marsh-child is about to be dissected by the scientist aboard the spaceship, Dexeter. The director, Peter Grimwade, makes the clear decision to have its eyes present throughout the entire scene. This works in particular as we see the human behind the rubber mask, and so we empathise with the creature. When the Marsh-child breaks free from its bonds, we are on the side of the creature, however this changes when the Marsh-child kills Dexeter. Now we see it for something that is dangerous, although still child-like in manner. It makes the monsters feel more threatening, but also gives them enough depth that we can empathise with them and thus we are interested in their plight. It all makes for a good story as we near the conclusion of Full Circle.
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